Mississippi Public Broadcasting reported Monday that Oxford, the self-proclaimed cultural and intellectual capital of Mississippi, is considering ending its ban on Sunday alcohol sales. Blue laws are still popular throughout Mississippi; almost half of the state’s 82 counties are dry, and it wasn’t until 2009 that you could drink liquor in the capital city’s airport bar.
In fact, Mississippi didn’t even repeal Prohibition until 1966, and only after the long arm of the law reached out to some upper-crust Jacksonians in particularly embarrassing fashion. Coast trash or not, I’m proud that the reprobates south of I-10 never paid much mind to Prohibition, national or state, and that to this day, bars down there can and do stay open 24 hours a day, 365 days a year.
That’s more than the City That Never Sleeps can say, as its bars must close at 4 a.m. Still, folks here, where the boozy Sunday brunch is a civic institution, don’t share the South’s conflicted relationship with alcohol. While that’s generally been refreshing, I have noticed that Saturday night revelry definitely loses something without the juxtaposition of a solemn Sunday morning.
With that in mind, and with apologies to Allan Sillitoe, here are some songs for Saturday nights and Sunday mornings, Bible Belt style:
At first glance, Blake Shelton’s “The More I Drink” is just another pleasantly adequate testament to Nashville’s assembly-line efficiency. By themselves, the lyrics sound more like step 1 of 12 than a pop song, but in the context of a sanitized honky-tonk number, lament gives way to perverse celebration. More cleverly, by marrying the lyrical hook – “the more I drink, the more I drink” – to an uplifting, gospel-approved chord progression (major three to major four), this Saturday night song subtly reminds us that Sunday morning is just around the corner.
It’s easy to assume that South Louisianans enjoy a tranquil joie de vivre, but in reality, they just compartmentalize 11 months worth of guilt into 1 month of repentance. We’ll leave Lent to the church and focus on Little Bob and the Lollipops’ Mardi Gras staple “I Got Loaded.” It’s one of my favorite songs, and a near-perfect example of pop genius; lost in the hook, the listener can’t help but feel, if not find, meaning in otherwise meaningless lyrics.
As Lil’ Bob breezily recounts a few loaded nights and eagerly anticipates another, the lyrical symmetry betrays the deflating monotony of the endless party. Then, the minor chord in the chorus, held a few bars too long, challenges his insistence that “it’s gonna be all right,” and makes you wonder who he’s trying to convince. No worries! This is a pop tune of the first order, and it really does turn out all right, as each chorus resolves in truly redemptive, feel-good fashion.
That’s fine for Saturday night. What about Sunday morning?
“Sunday Morning Coming Down” is the go-to song for post-party reflection, but like Oxford, Kris Kristofferson’s supposed erudition and factitious down-home style are obvious affectations – as the saying goes, if you have to tell people you’re a lady…
Johnny Cash’s gravitas may make his version compelling, but confessional songwriting falls flat when it’s time to repent. True Bible-Belt-caliber guilt demands a reflection on more than the night before, as Johnny Cash and the Carter Family show here.
That speaks for itself, but I will say this: no, children, he doesn’t mean that ironically.